It offers outstanding image stabilization, great image quality and tons of customization all packed in a reasonably lightweight, weather-sealed body. At this size the detail is good enough for anything but critical applications, though anything larger begins to show too much in the way of noise and some obvious smearing effects from anti-noise processing. The 6.5-stop compensation means it's possible to shoot at incredibly slow shutter speeds with wide lenses, while using the 200mm f/2.8 (equivalent to 400mm don't forget) meant it was still possible to get pin-sharp shots even at modest shutter speeds. ISO 12800 exhibits quite visible noise and loss of fine detail, and the fastest setting of ISO 25600 is … And here is a small section from the centre of the image at 100% magnification. This is certainly helped by the comparatively compact proportions of the lens making it a breeze to shoot handheld, while even with a 1.4x teleconverter attached it worked very well. Current page: As far as image quality is concerned, the Panasonic G9 is close to the Olympus OM-D EM1 mk2 and the Panasonic GH5. The G9 competes quite well with the A6500 here at ISO 1600, retaining similar levels of fine detail with lower noise and better color, however sharpening artifacts are more evident. Luma noise is noticeably higher from the Olympus, though, but it's more fine-grained and film-like in appearance. The Panasonic Lumix DC-G9 is a great camera to take along, especially for action photographers, but also for nature photographers. At base ISO, the G9 does a slightly better job at rendering fine detail while the E-M1 II image shows more obvious sharpening haloes and is slightly cleaner. We know this because the E-M1 II's extended low ISO 64 shot shows significantly more detail in the red-leaf swatch and elsewhere in the target. The Panasonic G9 captured images of excellent quality. Lumix G9 fieldtest. At ISO 1600, the G9 shows significant improvements in both detail retention and color reproduction over its predecessor, while producing slightly lower luma and chroma noise levels in flatter areas despite its smaller pixels. Panasonic Lumix G9 with 200mm f/2.8 and 1/4x converter, 1/640 sec at f/4, ISO640, Images can deliver nice colors and contrast. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/50 sec at f/4, ISO10,000. And here’s a small section from the centre of the frame. Overall, the Panasonic G9 turns in a solid performance for print quality. You can safely expect very good prints at large sizes up to ISO 1600, and still get useful printed results through ISO 3200. These modes might have less appeal with the G9 capable of shooting at such fast speeds, but it's possible to extract single 8MP and 18MP images from 4K 60fps and 6K 30fps footage respectively. The prints provide crisp detail and impressive color rendering, with plenty of three dimensional pop to please discerning eyes. It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. Even with a 1.4x converter, the Lumix G9 can produce very finely detailed images. Using the 200mm f/2.8 (equivalent to 400mm don't forget) meant it was still possible to get pin-sharp shots even at modest shutter speeds. ISO 3200 sees the strain of cranking the gain increase, as the G9 is only able to manage a workable 11 x 14 inch print. Read our Panasonic G9 conclusion. What’s the bottom line? Unencumbered by an optical low pass filter, the 20.3MP chip delivers really fine detail at lower sensitivities; you'd certainly struggle to tell the difference between results from the G9 and a comparable APS-C rival. Comparison image of Panasonic G9 and Panasonic GH4 Size, Weight and External Dimensions - Front View I’m determined to return to this location for a sunset (hopefully with a Panasonic G9). Whilst it’s challenging to get a good composition, there is a lot of potential. It’s a handheld exposure of 1/25” at ISO160 and f/10.0. Good for. Like the Olympus OM-D E-M1 II, the G9 offers a high resolution pixel shift mode, a first in Panasonic cameras. However, for your most critical printing applications at this gain setting we suggest 13 x 19 inches to be sure. Panasonic Lumix G9 – Image quality. Still, you can get a good 8 x 10 inch print at this gain setting in a pinch. Fixed the problem of overexposure when burst shooting with the settings of SH1, SH2, SH1 PRE, SH2 PRE. Our tricky red-leaf fabric also illustrates the G9's context-sensitive processing, where it retains and even exaggerates the fabric's thread pattern in some areas but not in others, while the G85 produces a smoother rendering with virtually no thread pattern visible (although some of the difference here is just a result of the G85's lower resolving power). NOTE: These images are from best quality JPEGs straight out of the camera, at default settings including noise reduction and using the camera's actual base ISO (not extended ISO settings). Again, be aware we have since changed lab lenses and aperture for MFT cameras, though, giving the G9 a somewhat "unfair" advantage in optics here, though some of the difference in detail is due to the E-M1 II's stronger default noise reduction at base ISO. The G9 does this by shifting the sensor by a half-pixel increment eight times over. Panasonic has also worked hard to improve color rendition, and the G9 produces much more natural-looking and faithful colors in JPEG files than we've seen from other Lumix cameras in the past. TechRadar is part of Future US Inc, an international media group and leading digital publisher. NY 10036. There was a problem. These two siblings produce very similar image quality here at base ISO, as both feature OLPF-less 20-megapixel sensors with the same generation Venus image processor. Thus, the slightly sharper G9 image can be attributed to better optics. The thumbnails below link to the full-sized versions, which have not been altered in any way. This is still a fairly nice-sized print, but for fine art printing to 13 x 19 inches and higher you obviously won't be able to rely on ISO 3200 or above, as there is simply too much apparent noise at the larger print sizes to yield dependable prints. IMAGE QUALITY OF THE Panasonic G9. We also see improved contrast and more pleasing color from the G9's revised processing. At ISO 1600, the G9 holds onto significantly more fine detail than the E-M1 II. As we've experienced in the past, it's a very dependable system, and there were very few occasions when we needed to intervene and dial in exposure compensation. For this reason we suggest limiting the G9 to either ISO 1600 or 3200 for critical printing purposes. Panasonic Lumix DC-G9 sample gallery: 89 images Nov 8, 2017 Leica Thambar 90mm F2.2 sample gallery: 42 images Nov 7, 2017 Canon EF-M 22mm F2 STM sample gallery: 41 images Nov 5, 2017 Sony a9 Presidents Cup gallery Fine detail is a little better from the X-T3 in our troublesome red-leaf fabric, though both cameras blur it significantly at this ISO. It has a resolution of 20 megapixels, which is the standard for MFT. Image captured using the Panasonic G9 80 Mpixel high-resolution mode. This is a pretty close race here at ISO 3200, with the G9 cranking up its default noise reduction more than the E-M1 II compared to ISO 1600. Luminance noise appears a little higher from the X-T3 in flatter areas, but the G9 produces a crisper image with slightly better detail overall. On this page I’ll go into detail about the Lumix G9’s image quality. What are some of the goods, bads, and the uglies of the Panasonic G9? The G9 image has slightly higher contrast and is a bit sharper with more visible sharpening haloes, but both cameras hold onto similar amounts of detail. Upon close inspection, noise levels appear a little lower from the G9, and the "grain" pattern is less blocky or "digital-looking" in flatter areas as well. Colors are still warmer from the Fuji. At base ISO, the A6500 produces a slightly crisper, more detailed image with almost no sharpening haloes. Image quality in both sharpness and dynamic range is excellent, considering this is typically a downfall of MFT sized sensor. ISO 12,800 prints a decent 5 x 7, and that's not too bad given how high this ISO is for this sensor size. Above we compare the G9 to another 20-megapixel MFT camera without an OLPF, the Olympus E-M1 II. Panasonic G100 is clearly the smaller of the two cameras. The sharper optics also likely contribute to moiré patterns in the red-leaf fabric being more visible from the G9 as well, though again the E-M1 II's stronger default noise reduction does blur the leaf and thread patterns quite a bit more than the G9 here at ISO 200. Here is a high-resolution image shot using the 80Mpixel mode of the Panasonic G9. The G9 also produces fewer sharpening artifacts along most edges, however some edges aren't as well defined as from the G85. Moiré patterns are more visible from the G9 here in the red-leaf fabric, however both cameras lack an optical low-pass filter, so the G85 can also generate aliasing artifacts, just in different situations because of its lower resolution. In simpler terms, the Panasonic Lumix G9 is one of the best photography oriented mirrorless cameras for video purposes. Improved LVF image quality when waiting for shooting in creative video mode. Image quality from the Lumix G9 is very good indeed, and it's certainly the best performance we've seen from a Micro Four Thirds-based camera. Mit ihren vielfältigen Aufnahmefunktionen, extrem schnellen Reaktionszeiten und solider, kompakter Bauweise empfiehlt sich die Kamera besonders für Reportage-, Action-, Sport- und Wildlife-Fotografie und ist der ideale Begleiter für Ihre Abenteuer. For those interested in working with the RAW files involved, click these links to visit each camera's respective sample image thumbnail page: Panasonic G9, Panasonic G85, Panasonic GH5, Fuji X-T3, Olympus E-M1 II and Sony A6500 -- links to the RAW files appear beneath those for the JPEG images, wherever we have them. 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I’ll start with a full sweep of the sensitivity from 100 to 25600 ISO in JPEG and RAW, followed by six examples of the new composite High Resolution Mode in practice; if you’re most interested in the latter, just … While the sharper lens contributes to the G9's better performance, the E-M1 II's stronger default noise reduction plays a larger roll here, smudging fine detail while still producing higher luma noise in flatter areas, though the Olympus' noise "grain" pattern is tighter and more consistent. ISO 400 yields a very good 24 x 36 inch print, displaying similar characteristics to the 30 x 40 inch prints at base and extended low ISOs. Panasonic G9 + Panasonic 200mm f/2.8. The G9 handles noise very well up to ISO3200 when shooting raw. At ISO6400 the chroma noise is quite pronounced, but detail in raw files is very good considering. We found it possible to recover a decent amount of both highlight and shadow detail in JPEG files, while raw files offer even more latitude and flexibility. Both cameras produce pleasing colors though the Fuji's are warmer. Just like the GH5 and a selection of other Panasonic mirrorless cameras, the Lumix G9 uses a 1,728-zone metering system to determine exposure. The Panasonic G9 produced a default mean saturation of about 109.3% (9.3% oversaturated) at the base ISO of 200, which is fairly typical. As expected, we see very similar image quality from these two siblings here at 1600 with just minor differences in color and noise, though again the G9 produced a slightly sharper, more contrasty image thanks to the better optics. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/50 sec at f/4, ISO10,000, Processed raw file at ISO10,000. Die Panasonic Lumix G9 basiert technisch auf der GH5. Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 800, and a solid 11 x 14 at ISO 3200. ISO 800 prints are quite good at 16 x 20 inches, which is still quite a nice-sized print given the gain is beginning to climb. The electronic viewfinder is one of the largest to be built into a camera, and the display and shooting experience are excellent. The Sony does noticeably better in our tricky red-leaf swatch though. ISO 100/200 deliver superb prints at 30 x 40 inches, and even larger if your viewing distance allows given the 20-megapixel resolution. Beyond that, you're not likely to get great printed results for your most important purposes, so heeding these settings in the field will help ensure good printed results. ISO 25,600 comes very close to allowing a good 4 x 6 inch print, perhaps closer than any MFT camera to date. Sensor and Image Quality. Compare Panasonic G9 image quality against competitors. Although Micro Four Thirds sensors are prone to showing more noise at high sensitivities than their APS-C rivals, the G9 is … Results throughout the ISO range also look very good, with only a slight hint of luminance (grain-like) noise in the mid-range sensitivities when looking at raw files – you'll have to be looking really closely to notice it. You can customise four picture profiles on the G9 and one on the E-M1 II. Ihr Handling zielt nun jedoch auf Fotografen. The G9 image is just a bit sharper and slightly more detailed, however be aware we have changed our lab lens and aperture for Micro Four Thirds cameras since the GH5 was shot, moving from a Zuiko 50mm f/2 at f/8 to a Leica Nocticron 42.5mm f/1.2 at f/5.6 which results in slightly sharper images with less diffraction. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/250 sec at f/9, ISO200, JPEG file at ISO10,100. In terms of resolution, images are sharp and very detailed – thanks to the absence of an anti-alias filter. I shot this using the Fuji XT3 and Fuji 18-135 lens at 18mm. The larger 30 x 40 inch prints are certainly usable here as well, but mild softening is detected in certain areas of the prints upon close scrutiny, so we'll put our seal of approval on the 24 x 36 inch prints at this gain setting. This is a selection of sample images from the Panasonic G9 camera, which were all taken using the 20 megapixel Fine JPEG setting. See real-world photos taken with the G9. The G9 continues to do a better job rendering fine detail than the X-T3 here at ISO 1600, while at the same time producing much lower luma noise. The Panasonic Lumix G9 offers excellent image quality and video features. The Fuji however produces fewer aliasing artifacts and lower chroma noise. Panasonic Lumix G9 with 200mm f/2.8, 1/800 sec at f/2.8, ISO200, The dynamic range available in this raw file is very good – we've recovered a good amount of both shadow and highlight detail in this shot. Here we compare the 24-megapixel APS-C Sony A6500 to the 20-megapixel MFT G9. You will receive a verification email shortly. Panasonic Lumix DC-G9 im Test | Unabhängiges und kritisches Testverfahren Alle Vor- und Nachteile Best-Preis finden Jetzt lesen Pros: Image Quality. The Panasonic G9 has a Four Thirds-sized sensor, which measures 13mm x 17mm. Please refresh the page and try again. Below you can see the front view size comparison of Panasonic G9 and Panasonic GH4. Fine detail and contrast are much better in our tricky red-leaf swatch from the Sony as well, however moiré patterns are visible from both cameras. It's large and bright and the use of OLED technology delivers good levels of contrast, while the refresh rate delivers a very smooth feed. There is still reasonably full color reproduction and not the typical burnt look that haunts many cameras at this sensitivity, but just not quite enough fine detail to pass our good grade. Color remains better from the Panasonic, if a bit cool. At ISO 3200, the G9 image appears sharper, contrastier and cleaner, but with more noticeable sharpening haloes. Its output is a higher resolution JPEG file than the Olympus, 80MP vs 50MP (though the Olympus can output and 80MP Raw file too). ISO 12800 exhibits quite visible noise and loss of fine detail, and the fastest setting of ISO 25600 is … ISO 1600 manages a good 16 x 20 inch print, displaying a touch more visible noise in some areas of our target, but not enough to miss out on our good grade. The native RAW file has a pixel count of 10,368 x 7,776 when using this mode. The A6500 also exaggerates the offset printing coloration in the mosaic label which the G9 appears to attenuate. And remember, you can always go to our world-renowned Comparometer to compare the Panasonic G9 to any camera we've ever tested! Panasonic G9 Print Quality Analysis Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 800, and a solid 11 x 14 at ISO 3200. The latest 20MP sensor also means that this is one of the best options available for Micro Four Thirds right now. Future US, Inc. 11 West 42nd Street, 15th Floor, You can change contrast or saturation (±5 on the G9, ±2 on the OM-D) or adjust the tint of the white balance settings to your taste. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/1000 sec at f/5, ISO2000, Raw file processed in Lightroom. It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. Once again, just minor differences between the two siblings here at ISO 3200, with the G9 producing slightly better color and contrast. In terms of dynamic range, this sensor is excellent. I hope you like the image … The Lumix G9's image stabilization system really impresses. Receive mail from us on behalf of our trusted partners or sponsors? Below are crops from our laboratory Still Life target comparing the Panasonic G9's image quality at a few ISOs to its predecessor's, the G85, and against its more video-centric sibling, the GH5, as well as to several competing models at similar price points or in similar categories: the Fuji X-T3, Olympus E-M1 II and Sony A6500. Panasonic GX9 Print Quality Analysis Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 1600 and a solid 8 x 10 at ISO 6400. Technische Daten - DC-G9EG - LUMIX G Wechselobjektivkameras - Die LUMIX G9 setzt neue Profi-Maßstäbe. All cameras in this comparison were shot with our very sharp reference lenses. It is lightweight despite its larger body and comes with a smaller micro four thirds sensor. New York, When you use this feature correctly the results can be spectacular. Performance and image quality. Thank you for signing up to TechRadar. Panasonic GH4 is clearly the smaller of the two cameras. Still, and more than most crop-sensor cameras, you can get decent results at 4 x 6 inches here for less-critical applications if needed. The image quality is definitely not three times better, it may be 10% -15% better, even 20% better (though I suspect not), so to pay three times more for it is not really worthwhile for a non pro user. Within the spectrum of camera sensors, this places the Panasonic G9 among the medium-sized sensor cameras that aim to strike a balance between image quality … Notice how the movement in the ferns looks completely natural. The renewed auto focus system with 225-AF points works extremely quickly and accurately. Receive news and offers from our other brands? You might expect the 26-megapixel X-T3 to have a noticeable resolution advantage over the 20-megapixel G9 here, but both cameras have similar dimensions on the vertical axis (4160 vs 3888 pixels) which is how this target is framed, so the resolution difference is very minor and mostly boils down to different demosaicing algorithms and processing. This gives it a crop factor of 2.0x, although it can’t be directly compared to full-frame due to their different aspect ratios. Panasonic G9 has external dimensions of 137 x 97 x 92 mm (5.39 x 3.82 x 3.62″) and weighs 658 g (1.45 lb / 23.21 oz) (including batteries). Again, the higher-resolution G9 does better at retaining fine detail with improved contrast and color while at the same producing less objectionable noise "grain" in flatter areas. Section of the image at 100% magnification (click to view) It’s early days but this could be a bit of a game changer for me. 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